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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Stained Glass: An Architectural Art, Universe Books, Inc., New York, OCLC 21650951; Robert Sowers (1981). The Language of Stained Glass, Timber Press, Forest Grove, Oregon, ISBN 0-917304-61-6; Hayward, Jane (2003). English and French medieval stained glass in the collection of the Metropolitan Museum of Art. New York: The Metropolitan Museum of ...
Window by Franz Mayer & Co. for St. Matthew's German Evangelical Lutheran Church in Charleston, South Carolina, USA. Franz Mayer of Munich is a German stained glass design and manufacturing company, based in Munich, Germany and a major exponent of the Munich style of stained glass, that has been active throughout most of the world for over 170 years.
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
Understanding and interpreting the windows can be difficult in an era out of contact with medieval theology, teachings and sermons commenting on the Gothic cathedrals' stained glass windows. However, the presence of the famous 12th-century School of Chartres suggests that the precise placing of the windows had meaning for their designers.
The vibrant colored medieval glass, in both England and France, would be an inspiration for her later work in stained glass. [1] In Paris, Redmond took art classes with Lucien Simon and Ernest Millard at the Académie Colarossi. [3] When Redmond returned to Boston, she worked with Charles Connick, the leader in American stained glass. Under ...
The Fairford stained glass is a set of 28 pre-Reformation stained glass windows located in St Mary's Church, Fairford, Gloucestershire. The medieval stained glass panes are of national historical and architectural importance as they constitute what is "probably the most complete set of medieval stained glass in Britain" consisting of 28 windows ...