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1780 – Edmond Malone, in his two volume supplement to the 1778 Johnson-Stevens edition of the plays, finally instates the 1609 quarto edition of Shakespeare's Sonnets as the sole authoritative text. [53] 1986 – The New Penguin Shakespeare’s edition of the sonnets restores "A Lover's Complaint" as an integral part of Shakespeare's Sonnets.
This category contains a selection of articles about the 154 individual sonnets written by William Shakespeare. For more information see Shakespeare's Sonnets Poetry portal
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
Shakespeare's funerary monument. The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones.
This template should be placed at the top of each article for William Shakespeare's individual sonnets (e.g. Sonnet 1).It provides navigation to the previous and next sonnets in the sequence, a place for an image from the 1609 Quarto with caption, and houses the full text of the sonnet with verse structure apparatus and citation.
Seven Sonnets of Michelangelo; Shakespeare's sonnets; Sonnet on the Great Suffering of Jesus Christ; Sonnet Written in the Church Yard at Middleton; Sonnets from the Portuguese; Sonnets to Orpheus; The Sovrans of the Old World
This is a list of translations of works by William Shakespeare. Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator.
The sonnet uses nautical metaphors. The poet begins with a conventional seeming opening line, "O, how I faint when I of you do write”, causing the reader to expect, in a manner like Petrarch, that a list of the young man's virtues will follow. Instead it is revealed that the poet faints at the thought that there is a rival.