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Spirals, step patterns, and key patterns are dominant motifs in Celtic art before the Christian influence on the Celts, which began around 450. These designs found their way into early Christian manuscripts and artwork with the addition of depictions from life, such as animals , plants and even humans .
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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
More decorative form of the endless knot More complex form of the endless knot seen on a c. 400-year-old Chinese lacquerware dish Endless knot in a Burmese Pali manuscript. The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols.
Crosswalk pavement marking variants per the U.S. FHWA. In the United States, crosswalks are sometimes marked with white stripes, though many municipalities have slightly different methods, styles, or patterns for doing so. The designs used vary widely between jurisdictions, and often vary even between a city and its county (or local equivalents).
Crosswalk tables are often employed within or in parallel to enterprise systems, especially when multiple systems are interfaced or when the system includes legacy system data. In the context of Interfaces, they function as an internal extract, transform, load (ETL) mechanism. For example, this is a metadata crosswalk from MARC standards to ...
Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
Dickinson's tone contributes to the poem as well. In describing a traditionally frightening experience, the process of dying and passing into eternity, she uses a passive and calm tone. Critics attribute the lack of fear in her tone as her acceptance of death as "a natural part of the endless cycle of nature." [6] In 1936 Allen Tate wrote,