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"Hey, Soul Sister" is a song by American rock band Train. It was written by lead singer Pat Monahan , Amund Bjørklund , and Espen Lind . It was released as the lead single from the band's fifth studio album, Save Me, San Francisco (2009).
"Black Magic" is a song by American rapper Eminem from the deluxe edition of his eleventh studio album Music to Be Murdered By. It was released as the album's second track on December 18, 2020, via Shady Records along with the rest of Music to Be Murdered By – Side B .
Inspired by the Tahitian ukulele, there is the Motu Nui variant, from France, which has just four strings made from fishing line and the hole in the back is designed to produce a wah-wah effect. [citation needed] Mario Maccaferri invented an automatic chording device for the ukulele, called Chord Master.
The occult is a category of supernatural beliefs and practices, encompassing such phenomena as those involving mysticism, spirituality, and magic in terms of any otherworldly agency. It can also refer to other non-religious supernatural ideas like extra-sensory perception and parapsychology .
"Black Magic Woman" is a song written by British musician Peter Green, which first appeared as a single for his band Fleetwood Mac in 1968. Subsequently, the song appeared on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK), as well as the later Greatest Hits and Vintage Years [ 2 ] compilations.
"Black Magic" is a song by German DJ and producer Jonasu, released as a single on 18 December 2020 by 3 Beat Records. It was written by Jonasu, RØRY, and Dutch singer Rani who also provided uncredited vocals. [2] Remixes by SHOSH and Tim Croft were released on 26 March and 11 June 2021 respectively. [3]
Since these four chords are played as an ostinato, the band also used a vi–IV–I–V, usually from the song "Save Tonight" to the song "Torn". The band played the song in the key of D (E in the live performances on YouTube ), so the progression they used is D–A–Bm–G (E, B, C#m, A on the live performances).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...