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The Waste Land is often cited as a means of distinguishing modern and postmodern literature. [citation needed] The poem is fragmentary and employs pastiche like much postmodern literature, but the speaker in The Waste Land says, "these fragments I have shored against my ruins". Modernist literature sees fragmentation and extreme subjectivity as ...
Editor Corin Hughes-Stanton concluded, "Post-Modernism' is an attitude that takes the form of a creative response to unfolding developments in the socio-economic sphere; it is a sign of active engagement rather than an academic retreat from its commercial and professional concerns." [200]
For Dempsey, what all forms of metamodernism have in common is the attempt to move beyond postmodernism by means of postmodernism—a move which requires progressively "decentering" from the postmodern vantage in order to reflect on it as an object of analysis (i.e., "going meta" on postmodernism). This reflective move creates a new orientation ...
Modernist literature originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new". [1]
However, most scholars today would agree that postmodernism began to compete with modernism in the late 1950s and gained ascendancy over it in the 1960s. [6] Since then, postmodernism has been a dominant, though not undisputed, force in art, literature, film, music, drama, architecture, history, and continental philosophy.
This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting. Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
Postmodernism, or, the Cultural Logic of Late Capitalism is a 1991 book by Fredric Jameson, in which the author offers a critique of modernism and postmodernism from a Marxist perspective. The book began as a 1984 article in the New Left Review. [1] [2] It has been presented as his "most wide-ranging and accessible book". [3]
Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946.He was Emeritus Vilas Research Professor at the University of Wisconsin–Milwaukee.His writings include influential books such as The Dismemberment of Orpheus: Toward a Postmodern Literature (1971, 1982), Paracriticisms: Seven Speculations of the Times (1975), and The Postmodern Turn: Essays in Postmodern Theory ...