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Nothin' but the Taillights is the seventh studio album by American country music singer Clint Black. Black co-wrote many of the songs with others and played much of the guitar himself for this album. "Something That We Do", "Nothin' but the Taillights", and "The Shoes You're Wearing" were hit singles. The latter two of those three songs reached #1.
"Something That We Do" is a song recorded by American country music artist Clint Black and written by Black and Skip Ewing. It was released in August 1997 as the second single from Black's album Nothin' but the Taillights and peaked at number 2 on the U.S. Billboard Hot Country Singles & Tracks chart and number 4 on the Canadian RPM Country Tracks chart.
"Nothin' but The Taillights" is a song co-written and recorded by American country music artist Clint Black. The song reached the top of the Billboard Hot Country Singles & Tracks chart. [1] It was released in January 1998 as the third single and title track from his album of the same name. The song was written by Black and Steve Wariner. This ...
During the late 1970s, Parks teamed up with Bread for their "Lost Without Your Love" reunion tour, taking on the responsibilities of lead guitarist. [8] Following the departure of founding member Jimmy Griffin, Parks then became the 'unofficial' fourth member for the duration of the 1977/78 tours, including the visit to England to record a BBC TV special.
Allan Clarke's lead vocal is the only voice prominently heard. It also features lead guitar by Clarke. Upon his return, Richards mixed the recording. [2] The lyrics set a scene similar to a film noir crime-drama. The singer, who is an FBI agent, is in a speakeasy filled with criminals. He falls for an attractive 5’9" woman in a black dress ...
Since then, the band Downie fronted for 33 years with high school friends Rob Baker (guitar), Johnny Fay (drums), Paul Langlois (guitar) and Gord Sinclair (bass) has become even more beloved, if ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
I’m a bad bi—, but (you ain’t nothin’ but a) Dog, player, ah, get it Fraud, player, ah, get it I understand, I understand You ain’t the man, you ain’t a man