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Frost wrote the poem in June 1922 at his house in Shaftsbury, Vermont. He had been up the entire night writing the long poem "New Hampshire" from the poetry collection of the same name, and had finally finished when he realized morning had come. He went out to view the sunrise and suddenly got the idea for "Stopping by Woods on a Snowy Evening ...
The great majority of them were included into his 1900s collections: Poems (1887–1891), Under the Open Skies (1898), Falling Leaves (1901), Flowers of the Field (1901), Poems (1903), Poems (1903–1906) and Poems of 1907 (1908). Some appeared in short stories' collections (Poems and stories, 1900, Flowers of the Field, 1901, etc.).
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
Fields and Gardens poetry (simplified Chinese: 田园诗; traditional Chinese: 田園詩; pinyin: tiányuán shī; Wade–Giles: t'ien-yuan-shih; lit. 'fields and gardens poetry'), in Chinese poetry, is a poetic movement which sparked centuries of poetic enthusiasm, generally considered to effectively date from the Six Dynasties era.
Zhang's Return to the Field is a seminal work in the Fields and Gardens poetry genre which helped to sparked centuries of poetic enthusiasm for poems of various forms which share a common theme of nature foremost with human beings and human thought seemingly not in main focus, somewhat similar to the Landscape poetry genre; however, in the case ...
Shanshui poetry or Shanshui shi (traditional Chinese: 山水詩; simplified Chinese: 山水诗; pinyin: shānshuǐshī; lit. "mountains and rivers poetry") refers to the movement in poetry, influenced by the shan shui (landscape) painting style, which became known as Shanshui poetry, or "landscape poetry". Sometimes, the poems were designed to ...
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During 1802, Coleridge wrote the poem Hymn Before Sunrise, which he based on his translation of a poem by Brun.However, Coleridge told William Southeby another story about what inspired him to write the poem [1] in a 10 September 1802 letter: "I involuntarily poured forth a Hymn in the manner of the Psalms, tho' afterwards I thought the Ideas &c disproportionate to our humble mountains ...