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Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
Ohara Koson, around the age of 53. Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements.
Scene: Canada geese taking flight in waterscape. White Herons, oil on canvas: 1929: 40 in x 32.3 in (101.6 cm x 82 cm) IAP 8A220036: Scene: herons (3) wading in lake amidst lily pads; two herons at left look right (one stands taller; second one's neck is swooped down); heron at right faces left with beak pointing toward water. White Herons,
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...
His largest panorama began as 12 feet (3,6 m) high and 1,300 feet (369 m) long and was eventually expanded to about half a mile (about 800 meters) although it was advertised as a "three-mile canvas". It toured around the nation, and was eventually cut up into hundreds of pieces, none of which still exist today.
He is regarded as one of the great interpreters of the Scottish landscape and is often labelled the "Scottish Impressionist". He married Marjory Henderson (1856–1936), the daughter of another painter, Joseph Henderson RSW (1832–1908), Joseph's sons John Henderson (1860–1924) and Joseph Morris Henderson (1863–1936) also being painters.