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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
Back-to-back film production; Bankable star; Beat (filmmaking) Beatscript; Behind-the-scenes; Below-the-line (filmmaking) Billing (performing arts) Black and white hat symbolism in film; Blackout gag; Blaxploitation; Blockbuster (entertainment) Blocking (stage) Blooper; Bottle episode; Bouncing ball (music) Box office; Box-office bomb ...
Roadside Attractions, LLC is an American production company and film distributor based in Los Angeles, California, founded on July 27, 2000, by Howard Cohen and Eric d'Arbeloff. [1] Lionsgate Films bought a portion of Roadside in 2007, and has majorly served as the arthouse division for the studio since then.
Sunn Classic Pictures, also known as Sunn International Pictures, Schick Sunn Classic Pictures, and Taft International Pictures was an independent [4] U.S.-based film distributor, founded in 1971. [1] [2] The company was notable for family films and documentaries, and was purchased by Taft Broadcasting in 1980.
A Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Pacific Studios [1] in Los Angeles was the sole producer of Translites from about 1950 until about 1979.
Brightlight's UK/Canada feature co-production Fifty Dead Men Walking starring Ben Kingsley, Jim Sturgess and Kevin Zegers had its world premiere as a Gala Presentation at the Toronto International Film Festival in September 2008 and was released theatrically in the summer of 2009.
If this is right, then depiction and resemblance cannot be identified, and a resemblance theory of depiction is forced to offer a more complicated explanation, for example by relying on experienced resemblance instead, which clearly is an asymmetrical notion (that you experience x as resembling y does not mean you also experience y as ...