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Danza Voluminosa is a professional dance troupe composed exclusively of obese dancers, founded by choreographer and dancer Juan Miguel Mas in 1996. [ 1 ] [ 2 ] Although originally faced with ridicule, the troupe has become more popular over decades of activity, and have even performed in the National Theatre of Cuba .
Also: Cuba: People: By occupation: Dancers / Women by occupation: Female dancers This is a non-diffusing subcategory of Category:Cuban dancers . It includes dancers that can also be found in the parent category, or in diffusing subcategories of the parent.
Millie Donay (born Carmela Dante Di Stefano; February 23, 1934 – July 16, 2007) was an American professional Latin dancer, a pioneer of Mambo dance. [1]Her first partner (1950–1956) was Pedro "Cuban Pete" Aguilar of the Palladium Ballroom.
Pages in category "Cuban dancers" The following 9 pages are in this category, out of 9 total. ... Pedro Gomez (dance instructor) L. Joaquín La Habana; M. Malanga ...
The Cuban bolero dance originated in Santiago de Cuba in the last quarter of the 19th century; [13] it does not owe its origin to the Spanish music and song of the same name. [14] In the 19th century there grew up in Santiago de Cuba a group of itinerant musicians who moved around earning their living by singing and playing the guitar.
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
Casino traces its origin as a partner dance from Cuban Urban Son and Cuban Cha Cha Cha, fused with partner figures and turns adopted from the Cuban Mambo, Rumba Guaguancó and North American Jive. Casino is different from other types of Salsa dance styles because of its spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino ...
The founder, Ramiro Guerra Suarez, widely known as the grandfather of modern dance in Cuba, [1] is a dancer, dance teacher, choreographer and dance researcher who has published Appreciation of Dance in 1969, The Theatricalization of Folklore and Other Essays in 1989 and Dancing Caliban in 1998.