Search results
Results From The WOW.Com Content Network
Blue Movie (also known as Fuck and F,k) [2] [4] [5] is a 1969 American erotic film written, produced and directed by Andy Warhol. [1] [6] It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969–1984).
Nonetheless, Blue Movie, besides being a seminal film in the 'Golden Age of Porn', was a major influence, according to Warhol, in the making of Last Tango in Paris (1972), an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made. [8] [30]
1885 – American inventors George Eastman and Hannibal Goodwin each invented a sensitized celluloid base roll photographic film to replace the glass plates then in use. L'homme Machine, was directed by French scientist Étienne-Jules Marey; it is the oldest black and white animated known film.
With the black-and-white negatives being printed onto duplitized film, the color images were then toned red and blue, effectively creating a subtractive color print. Leon Forrest Douglass (1869–1940), a founder of Victor Records , developed a system he called Naturalcolor, and first showed a short test film made in the process on 15 May 1917 ...
In 1993, the experimental film Blue, the final piece created by Derek Jarman, used the shade IKB 79 [11] as the sole shot for the backdrop of the entire film. Used to represent the loss of his sight, and developing a blue tinge as a result of suffering from AIDS-related complications and side effects from medical treatment.
Difficulties emerge with blue screen when a costume in an effects shot must be blue, such as Superman's traditional blue outfit. In the 2002 film Spider-Man, in scenes where both Spider-Man and the Green Goblin are in the air, Spider-Man had to be shot in front of a green screen and the Green Goblin had to be shot in front of a blue screen. The ...
The front film was a red-blind orthochromatic type that recorded only the blue light. On the surface of its emulsion was a red-orange coating that prevented blue light from continuing on to the red-sensitive panchromatic emulsion of the film behind it, which therefore recorded only the red-dominated third of the spectrum.
The film also used the first "reverse angle" cut in film history. [64] The following year, Williamson created The Big Swallow. In the film. a man becomes irritated by the presence of the filmmaker and "swallows" the camera and its operator through the use of interpolated close-up shots. [65]