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German roots are particularly notable in Mexican music due to the large numbers of German immigrants in Texas and northern Mexico around the 1830s. The distributors of German-made accordions aggressively marketed the loud, sturdy little "boom boxes" as far back as the late 19th century.
Fredericksburg German Quarter. Emigration in force began during the period of the Republic of Texas (1836–1846) following the establishment in 1842 of the Adelsverein (Verein zum Schutze deutscher Einwanderer, Society for the Protection of German Immigrants in Texas) by a group of Germans dedicated to colonizing Texas.
This land was earmarked for the settlement of immigrants who arrived in Texas under the sponsorship of the Society for the Protection of German Immigrants. Prince Carl of Solms-Braunfels , the first Commissioner of the society, had made it clear from the onset of the settlement plans that he was determined to find a way to coexist peacefully ...
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Familiarization with lower Southern Texas culture and the cotton economy of Texas in 1860 also allowed some German immigrants and Upper Southern Texans to support secession. [25] Three factions had different views on the future of Texas and its relation to the United States government. [29]
Tejano culture, particularly Tejano music, has been deeply influenced by German immigrants to Texas and Mexico. [129] In German-speaking parts of Texas during the 19th and 20th centuries, many African-Americans spoke German. Many Black people who were enslaved by white German-Americans, as well as their descendants, learned to speak German. [130]
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Texas Wendish Heritage Museum Texas Wendish Bell. The Texas Wends or Wends of Texas are a group of people descended from a congregation of 558 Sorbian/Wendish people under the leadership and pastoral care of John Kilian (Sorbian languages: Jan Kilian, German: Johann Killian) who emigrated from Lusatia (part of modern-day Germany) to Texas in 1854. [1]