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The opposing hypothesis, heralded by Carmen Aguilera in her article Of Royal Mantles and Blue Turquoise: The Meaning of the Mexica Emperor's Mantle, suggests that, in keeping with the traditionally ornate garments worn by Aztec nobility, the design was created by studding or embroidering turquoise tiles and beads onto a net base made of plant ...
The use of Maya blue was corroborated in the Grolier Codex, and helped to authenticate the document, now known as Codex Maya of Mexico. Recent research also suggests Maya blue may have played an important role in human sacrifices to Chaac at Chichén Itzá, both produced at the sacrificial site and used to paint the bodies of the victims. [15] [1]
(Black Tezcatlipoca) [6] [7] Quetzalcōātl, god of the life, the light and wisdom, lord of the winds and the day, and the lord of the West. Quetzalcoatl is the old arch-nemesis of Tezcatlipoca. Sometimes, Quetzalcoatl was the ruler of the East like Xipe-Totec [citation missing].
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl ).
The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]