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"Make Me Wanna Die" is a song by American rock band The Pretty Reckless from their eponymous debut extended play (2010) and their debut studio album, Light Me Up (2010). The song was written by Taylor Momsen, Ben Phillips, and Kato Khandwala, and produced by the latter. It was released on April 14, 2010, as the lead single from both the EP and ...
"Make Me Wanna Die" was released on April 14, 2010, as the album's lead single.A promotional video was released which features live performances and backstage footage of the band.
On December 30, 2009, the first single entitled "Make Me Wanna Die" was released as a special preview for the Seventeen magazine. The song was officially released on May 13, 2010 in the UK, where it peaked at 1# on the UK Rock Chart and was received with positive reviews. The track also appeared on the Kick-Ass soundtrack.
Their debut single, "Make Me Wanna Die", reached the top 20 of the UK Singles Chart. [2] The song was eventually featured on their debut studio album, Light Me Up, released in August 2010. The album had sold over one million units in combined singles and albums sales as of January 2014. [3]
It contained four songs, three of which can be found on their debut album: "Make Me Wanna Die", "My Medicine", and "Goin' Down". [19] "Make Me Wanna Die" was released on April 14, 2010 as the lead single from Light Me Up. [20] A viral video was released to promote the single. [21] The full record was released on August 31, 2010. [22] "
Released on November 19, 2013, as the album's second single, "Heaven Knows" is the band's first single to top a Billboard chart (Mainstream Rock) and their second single to top UK Rock Singles Chart, following their debut single "Make Me Wanna Die" (2010). The song later entered the Alternative Songs chart, peaking at number 20.
Make Me Wanna Die; Messed Up World (F'd Up World) ... Take Me Down (The Pretty Reckless song) This page was last edited on 23 January 2017, at 22:44 (UTC). ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.