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Toxicodendron vernicifluum (formerly Rhus verniciflua [1]), also known by the common name Chinese lacquer tree, [1] [2] [3] is an Asian tree species of genus Toxicodendron native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. [4]
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Namiki is mostly famous for its handmade maki-e (a Japanese lacquerware craft with a wide range of fine and decorative arts) [2] designs on urushi-based lacquers. [3] [4] "Namiki" is the surname of Ryosuke Namiki, the founder of the Pilot Corporation, named "Namiki Manufacturing Company" until 1938 when it became "Pilot Pen Co., Ltd.".
The term for lacquer is urushi (漆), source of the English hybrid word "urushiol". Etymologically, urushi may be related to the words uruwashii ("beautiful") or uruoi ("watered", "profitable", "favored"), due speculatively to their value or shiny appearance, or perhaps the humidifying rooms used in production of lacquered wares.
The museum contains lacquer works by contemporary artists, as well as a lacquer ware collection from different countries of East and Southeast Asia. [5] Some of the lacquer works come from people from art academies. [citation needed] The museum contains exhibits about Wajima-nuri. [6] The museum contains videos about the Japanese lacquer ware. [7]
Lacquer mixed with water and turpentine, ready for applying to surface. Types of lacquer vary from place to place but they can be divided into unprocessed and processed categories. The basic unprocessed lacquer is called raw lacquer (生漆: ki-urushi in Japanese, shengqi in Chinese). This is directly from the tree itself with some impurities ...
In Wajima, lacquer products have been excavated at the Yadani B ruins, which are remains from the Heian period. As a bowl with characteristics of Wajima lacquerware, a bowl using diatomaceous earth as a base was excavated at the Nishikawajima Gunmidate ruins ( early Muromachi period ) in Anamizu-cho , south of Wajima across the mountains.
These ash-bodied guitars were produced only in relatively small numbers for the domestic market; most, however, had maple bodies. Some guitars were produced with the urushi finish and, again, these, in both red and brown urushi lacquer, were produced mostly for the domestic market.