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In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. [1] Men are described as the second or younger people, created after the Elves, and differing from them in being mortal.
The Free Peoples of Middle-earth are the four races that never fell under the sway of the evil spirits Morgoth or Sauron: Elves, Men, Dwarves and Ents. Strictly speaking, among Men it was only the Men of the West who are Free People, particularly the descendants of the Dúnedain of the Isle of Númenor , as most Men of the East and South of ...
Tolkien's Elves remain unwearied with age. They can recover from wounds which would be fatal to a Man, but can be killed in battle. Spirits of dead Elves go to the Halls of Mandos in Valinor, a sort of Earthly Paradise, for an afterlife. After a period of rest that serves as "cleansing", their spirits are clothed in bodies identical to their ...
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J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
J. R. R. Tolkien's novels The Hobbit (1937) and The Lord of the Rings (1954–55), set in his fictional world of Middle-earth, have been the subject of numerous motion picture adaptations across film and television. Tolkien was skeptical of the prospects of an adaptation.
Elves are skilful horse-riders, riding without saddle or bridle, though Tolkien was inconsistent on this point. [2] The archer Legolas Greenleaf, here portrayed by Orlando Bloom in Peter Jackson's film adaptation of The Lord of the Rings, is the archetypal elf in that story. [3] Tolkien created many languages for his Elves.
The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').