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The GR-300 had no MIDI (it had not been developed yet) and could initially only be played/controlled with a Roland G series guitar controller (Originally offered with the G-303, G-505 and G-808, later the G-202 and it was backward-compatible with the G-707 and the GK-1 pickup system, released a few years later.
The GS-500 guitar does not have a standard 1/4-inch guitar output and cannot be used without the GR-500 synthesizer module. It has a particular infinite sustain system: the frets in the GR-500 are connected to its electrical ground, and when a player frets a string, an electric current passed through the string.
SRX-07 Ultimate Keys board. The SRX are a series of expansion boards produced by Roland Corporation. First introduced in 2000, they are small boards of electronic circuitry with 64MB ROMs containing patches and rhythm sets . They are used to expand certain models of Roland synthesizers, music workstations, keyboards, and sound modules.
In 1976, Roland introduced the semimodular System 100 and the modular System 700 synthesizers. [ 12 ] In 1977, the company introduced one of the earliest microprocessor-driven music sequencers , the MC-8 MicroComposer , and the first guitar synthesizer , the GR-500 .
The Roland GR-1 is a guitar synthesizer that was manufactured by Roland Corporation. It was introduced in 1992. It was introduced in 1992. The GR-1 can be played through a divided pickup/controller ( GK-2 or newer, or a guitar with built in divided pickup, like the Godin Multiac) and has MIDI in and out.
Roland CUBE is a series of guitar and bass amplifiers manufactured and distributed by the Roland Corporation. The CUBE series use amplifier modeling technology. Series
The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.