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  2. File:Oh Holy Night (Kevin MacLeod) (ISRC USUAN1100127).oga

    en.wikipedia.org/wiki/File:Oh_Holy_Night_(Kevin...

    You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.

  3. File:Pianos keyboard with notes.svg - Wikipedia

    en.wikipedia.org/wiki/File:Pianos_keyboard_with...

    You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.

  4. O Holy Night - Wikipedia

    en.wikipedia.org/wiki/O_Holy_Night

    Fall on your knees! O hear the angel voices! O night divine, O night when Christ was born! O night divine! O night, O night divine! Led by the light of faith serenely beaming, With glowing hearts by His cradle we stand. So led by light of a star sweetly gleaming, Here came the wise men from the orient land. The King of kings lay thus in lowly ...

  5. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  6. Musical notation - Wikipedia

    en.wikipedia.org/wiki/Musical_notation

    Some chord charts also contain rhythmic information, indicated using slash notation for full beats and rhythmic notation for rhythms. This is the most common kind of written music used by professional session musicians playing jazz or other forms of popular music and is intended primarily for the rhythm section (usually containing piano ...

  7. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).