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Similarly, an amethyst beaded necklace from ancient Rome estimated to be from 1st century B.C. to 1st century A.D. is expected to fetch $6,000 to $8,000, far below the cost of a trendy 10-motif ...
The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite. Deities, women, and men were depicted wearing this jewelry. One example can be seen on the famous gold mask of Tutankhamun. The ancient word wsẖ can mean "breadth" or "width" in the ...
Ancient Egyptian flint Bracelet (MET 23.2.14 EGDP011486) Flint jewelry was known in the prehistoric, protodynastic, and early dynastic periods of ancient Egypt. Ancient Egyptians skillfully made bracelets [1] [2] and armlets [3] [4] out of flint. The flint came from locations that include Giza and Upper Egypt. [5]
Scarab amulets were sometimes placed in tombs as part of the deceased's personal effects or jewelry, though not all scarabs had an association with ancient Egyptian funerary practices. There are, however, three types of scarabs that seem to be specifically related to ancient funerary practices: heart scarabs , pectoral scarabs and naturalistic ...
The pectorals of ancient Egypt were a form of jewelry, often in the form of a brooch. They are often also amulets, and may be so described. They were mostly worn by richer people and the pharaoh. One type is attached with a nah necklace, suspended from the neck and lying on the breast. Statuary from the Old Kingdom onwards shows this form.
In ancient Egyptian cultures it symbolized luck. It increased in Vulci and Tarquinia from the last decades of the 6th century BC. In the northern city-states however, jewelry was more sober and refined pieces from Vetrulonia, for example, are decorated with minute particles known as pulviscolo (gold dust).
[2] [1] Pieces from the ancient period include the Gebel el-Arak Knife from 3400 BC, The Seated Scribe, and the Head of King Djedefre. Middle Kingdom art, "known for its gold work and statues", moved from realism to idealization; this is exemplified by the schist statue of Amenemhatankh and the wooden Offering Bearer .
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