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The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
Has "Tone Editor" with detune, delay, attack/decay and release. Has sustain pedal input. Not velocity sensitive. Also released as the PMP-600 as part of Casio's "Professional" line. [43] CT 657 1989 61 full 110 12 D (x6) - Has "Tone Editor" with delay, attack/decay and release. [44] CT 660 1988 61 full 465 10 D (x6) in/out/thru
Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]
Valhalla Delay is a plugin which simulates the sounds of a number of vintage delays, including tape based delays (such as the sound of Roland Space Echo, Maestro Echoplex, or reel to reel based tape delay units), "bucket brigade" delays, 1980s digital delays, and delays with pitch shifting. [31]
The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
The new pedal will have the same functions as the original, but will feature a longer possible delay time (slightly longer than 1 second). At the same time, the MF-104SD was released in a limited edition of 250 units. The MF-104SD had a maximum delay time of 1.4 seconds, slightly longer than the MF-104Z.