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Budi yang baik dikenang juga. Dua tiga kucing berlari, Mana sama si kucing belang; Dua tiga boleh ku cari, Mana sama adik seorang. Pisang emas dibawa berlayar, Masak sebiji di atas peti; Hutang emas boleh dibayar, Hutang budi dibawa mati. I've got that loving feeling, hey! I've got that loving feeling, hey! See that girl in the distance,
"Biarlah Rahsia" (Let It Be A Secret) is a song written and performed by Malaysian pop singer-songwriter Siti Nurhaliza and composed by Melly Goeslaw.The song was released as the first single from her twelfth album, Transkripsi.
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "
First verse: Indonesia tanah air beta Pusaka abadi nan jaya Indonesia sejak dulu kala Tetap dipuja-puja bangsa Reff: Di sana tempat lahir beta Dibuai, dibesarkan bunda
Rayuan Pulau Kelapa (Solace on Coconut Island) is an Indonesian song written by Ismail Marzuki (1914-1958), who wrote a number of popular tunes in the country's early post-independence period.
Milea (subtitled Suara dari Dilan in Indonesia; lit. ' 'Milea: The Voices of Dilan' ') is a 2020 Indonesian language romantic drama film directed by Fajar Bustomi and Pidi Baiq, and written by Baiq and Titien Wattimena. The film is based on the novel of the same name by Baiq and is the sequel to Dilan 1991 released in 2019.
Syair (Jawi: شعير) is a form of traditional Malay (also subsequently modern Indonesian and Malaysian) poetry that is made up of four-line stanzas or quatrains.The syair can be a narrative poem, a didactic poem, a poem used to convey ideas on religion or philosophy, or even one to describe a historical event.
The Good Person of Szechwan (German: Der gute Mensch von Sezuan, first translated less literally as The Good Man of Setzuan) [1] is a play written by the German dramatist Bertolt Brecht, in collaboration with Margarete Steffin and Ruth Berlau. [2]