Search results
Results From The WOW.Com Content Network
Tin Pan Alley was a collection of music publishers and songwriters in New York City ... In the 1910s and 1920s Tin Pan Alley published pop songs and dance numbers ...
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
"I'll See You in C-U-B-A" is a 1919 popular foxtrot Tin Pan Alley [1] song written by Irving Berlin, for the musical revue The Greenwich Village Follies. [2] [3] The Follies first opened on July 15, 1919. [2] The music features a simple rhythm and melody without direct Cuban musical influences. [1]
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green.It was popularized by Al Jolson and included in the musical Kid Boots, where it was sung by Eddie Cantor.
Novelty songs achieved great popularity during the 1920s and 1930s. [1] [2] They had a resurgence of interest in the 1950s and 1960s. [3] The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. [4]
Writers of coon songs included some of the most important Tin Pan Alley composers, including Gus Edwards, Fred Fisher (who wrote the 1905 "If the Man in the Moon Were a Coon", which sold three million copies), [21] and Irving Berlin. [22] One of John Philip Sousa's assistants, Arthur Pryor, composed coon songs. [14]
Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, and Cole Porter.