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In 1970, rock musician Ringo Starr surprised the public by releasing an album of Songbook songs from the 1920s, 1930s, and 1940s, Sentimental Journey.Reviews were mostly poor or even disdainful, [25] but the album reached number 22 on the US Billboard 200 [26] and number 7 in the UK Albums Chart, [27] with sales of 500,000.
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Several later jazz tunes have been based on the song's chord progression, such as Jackie McLean's "Donna", Miles Davis's "Dig" and Thelonious Monk's "Bright Mississippi". [81] 1925 – "Tea for Two" [56] is a show tune from the Broadway musical No, No, Nanette, composed by Vincent Youmans with lyrics by Irving Caesar.
Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. [1] It has an ABAC structure, and is written in the key of B-flat major. [2] There is a 20-bar introductory verse, but this is routinely omitted. [2] "The melody [...] combines the contradictory possibilities of the song.
"Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists.The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne: "I'm blue every Monday, thinking over Sunday, that one day that I'm with you"
The song is the most recorded jazz standard of all time. [2] "But Not for Me" [10] was introduced by Ginger Rogers in the Broadway musical Girl Crazy. It was composed by George Gershwin with lyrics by Ira Gershwin. The song failed to achieve significant pop success, charting only once in 1942.
Old Folks" is a 1938 popular song and jazz standard composed by Willard Robison with lyrics by Dedette Lee Hill, the wife and occasional colleague of Billy Hill. The lyrics tell of an old man nicknamed "Old Folks" and reference his service in the American Civil War, his habit of smoking with a "yellow cob pipe", and the prospect of his death ...
Its chord progression (although often reduced to a standard 32-bar structure for the sake of improvised solos) is known as the "rhythm changes" and is the foundation for many other popular jazz tunes. The song was used as the theme in Gershwin's last concert piece for piano and orchestra, Variations on "I Got Rhythm", written in 1934. The song ...