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According to Miller, "Tlaltecuhtli literally means 'Earth Lord,' but most Aztec representations clearly depict this creature as female, and despite the expected male gender of the name, some sources call Tlaltecuhtli a goddess. [She is] usually in a hocker, or birth-giving squat, with head flung backwards and her mouth of flint blades open." [8]
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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Statue of Toci (Tlazolteotl) from Mexico, 900–1521 CE (British Museum, id:Am1989,Q.3 ) Toci [a] is a prominent deity in the religion and mythology of the pre-Columbian Aztec civilization of Mesoamerica. In Aztec mythology, she is seen as an aspect of the mother goddess Coatlicue or Xochitlicue and is thus labeled "mother of the gods". [b]
Mictlāntēcutli or Mictlantecuhtli (Nahuatl pronunciation: [mik.t͡ɬaːn.ˈteːkʷ.t͡ɬi], meaning "Lord of Mictlan"), in Aztec mythology, is a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld.
Altar of the toads as symbols of water According to tradition, the Templo Mayor is located on the exact spot where the god Huitzilopochtli gave the Mexica people his sign that they had reached the promised land: an eagle on a nopal cactus with a snake in its mouth.
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]
Statue of Xiuhtecuhtli in the British Museum. [2] In Aztec mythology, Xiuhtēcuhtli [ʃiʍˈteːkʷt͡ɬi] ("Turquoise Lord" or "Lord of Fire"), [3] was the god of fire, day and heat. [4] In historical sources he is called by many names, which reflect his varied aspects and dwellings in the three parts of the cosmos. [5]