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Canon 8.5–25.5mm f / 1.0 zoom lens (made 1975–1983 for the 310XL Super 8mm silent and sound camera series, the fastest zoom lens ever made for Super8, originally advertised as facilitating "shooting at candlelight" in combination with 160-ASA films.) [17] Baker-Nunn camera 500mm f / 0.75 twelve used for tracking satellites [18]
Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
The Sigma 8–16mm lens is an enthusiast-level, ultra wide-angle rectilinear zoom lens made by Sigma Corporation specifically for use with APS-C small format digital SLRs. It is the first ultrawide rectilinear (non- fisheye lens ) zoom lens with a minimum focal length of 8 mm, designed specifically for APS-C size image sensors. [ 1 ]
The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.
The Sony E 16mm F2.8 is a wide-angle prime lens for the Sony E-mount, announced by Sony on June 11, 2010. [1] [2] Despite featuring the shortest focal length of any prime lens currently manufactured by Sony, the 16mm lens is infamous for its strong pincushion distortion, heavy chromatic aberration, and overall image softness. However, some of ...
In most Super 8 and some 16mm cameras of the 1960s (e.g. the Bolex H 16), when the 2008 S was introduced, the image from the taking lens was split in two (in a prism): one beam was sent to the film and the other beam to the viewfinder. On the Beaulieu cameras, however, no light was wasted (reflex system) -- either all of it was directed at the ...