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As with any other idea, the idea for a performing arts production is copyrighted as soon as it is created. In order for any of these works to be performed, the proper licenses must be obtained. The only exception to this rule is with the case of works already in the public domain. This includes, for example, the works of William Shakespeare ...
The first of January ushers in a new year, a new month and new entries to the list of works in the public domain. While 2024 saw many popular intellectual properties lose copyright protection ...
In 2025, the works unbound from copyright cap off the 1920s with literature, characters and more from 1929 entering the public domain.
In some cases, a film's copyright has lapsed because of non-renewal while the underlying literary or dramatic source is still protected by copyright; for example, the film His Girl Friday (1940) became a public domain film in 1969 because it was not renewed, but it is based on the 1928 play The Front Page; as a practical matter, the film could ...
These generally force Performing Rights Societies to discloses the musical works they license. Because many establishments pay blanket license fees to Performing Rights Societies but have little or no idea if the fees they pay actually secure the rights to perform musical works. This can result in unfair business practices called tolling. Many ...
Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost. The works from 1927 were originally supposed to be copyrighted ...
There are multiple licenses which aim to release works into the public domain. In 2000 the WTFPL was released as a public domain like software license. [58] Creative Commons (created in 2002 by Lawrence Lessig, Hal Abelson, and Eric Eldred) has introduced several public-domain-like licenses, called Creative Commons licenses. These give authors ...
It’s become an annual ritual: Every Jan. 1, more classic works of art or characters enter the public domain, and exploitation filmmakers with a tiny budget and a big taste for grisliness are ...