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The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789. "The Lamb" is the counterpart poem to Blake's poem: "The Tyger" in Songs of Experience. Blake wrote Songs of Innocence as a contrary to the Songs of Experience – a central tenet in his philosophy and a central theme in his work. [1]
The Lamb Choral music by John Tavener "The Lamb" in William Blake's Songs of Innocence and of Experience (1794), illustrated by Blake Genre Choral anthem Occasion Third birthday of Tavener's nephew Text "The Lamb" by William Blake Composed 1982 Publisher Chester Music Scoring SATB choir Premiere Date 22 December 1982 Location Winchester Cathedral The Lamb is a choral work written in 1982 by ...
"The Lamb" is a poem by William Blake, published in Songs of Innocence and of Experience in 1789. In the first stanza, the speaker asks the lamb – considered a pure and gentle creature – who his creator is. In the second stanza, comparisons are made between the lamb and the infant Jesus, as well
Charles Lamb in 1798, the year he wrote and published "The Old Familiar Faces". Drawn and engraved by Robert Hancock. "The Old Familiar Faces" (1798) is a lyric poem by the English man of letters Charles Lamb. Written in the aftermath of his mother's death and of rifts with old friends, it is a lament for the relationships he had lost.
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
To a Butterfly (second poem) 1802, 20 April "I've watched you now a full half-hour," Poems founded on the Affections: 1807 Foresight 1802, 28 April "That is work of waste and ruin--" Poems referring to the Period of Childhood: 1807 To the Small Celandine (first poem) 1802, 30 April Manuscript title: " To the lesser Celandine"
As Paul Magnuson wrote in 2002, "Abrams credited Coleridge with originating what Abrams called the 'greater Romantic lyric', a genre that began with Coleridge's 'Conversation' poems, and included William Wordsworth's Tintern Abbey, Percy Bysshe Shelley's Stanzas Written in Dejection and John Keats's Ode to a Nightingale, and was a major ...
The poem is chiefly remembered today – especially among cat lovers – for the 74-line section wherein Smart extols the many virtues and habits of his cat, Jeoffry. [31] To this Neil Curry remarks, "They are lines that most people first meet outside the context of the poem as a whole, as they are probably the most anthologized 'extract' in ...