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He played with Mac Wiseman, and the Country Boys where Mac at the time was working for WRVA the Old Dominion Barn Dance in Richmond. Playing with Wiseman was Allen's first recording experience. Shelton got his first full-time job as a musician when he was sixteen playing with Jim Eanes; he was the banjo player on most of Eanes' Starday Records ...
Flatpicking (or simply picking) is the technique of striking the strings of a guitar with a pick (also called a plectrum) held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar , which is playing with individual fingers, with or without wearing fingerpicks .
His instrumentals (with the Sunny Mountain Boys), such as "Theme Time", "Bear Tracks" and "Red Rooster", featured ultra-crisp playing by a series of banjo players including Sam "Porky" Hutchins, J.D. Crowe, Vernon McIntyre Jr. and Bill Emerson, and, powered by Martin's guitar runs, set a standard for bluegrass instrumentals that was influential.
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Jesse played the mandolin with a unique, self-invented "crosspicking" and "split-string" playing method, and Jim sang as a high tenor and played guitar. [1] They played with their backing band, The Virginia Boys, [1] consisting of a five-string banjo, fiddle, and bass player.
Alternate picking is a guitar playing technique that employs strictly alternating downward and upward picking strokes in a continuous run, and is the most common method of plectrum playing. Picking in this way balances the distribution of your movement and energy, minimizing any unnecessary motion while optimizing your control.