Search results
Results From The WOW.Com Content Network
Clocktower Productions is a non-profit art institution working in the visual arts, performance, music, and radio.It was founded in 1972 as The Clocktower Gallery by Alanna Heiss, the Founder and former Director of MoMA PS1 (formerly P.S.1 Contemporary Art Center) under the aegis of the Institute for Art and Urban Resources.
108 Leonard (formerly known as 346 Broadway, the New York Life Insurance Company Building, and the Clock Tower Building) is a residential structure in the Tribeca neighborhood of Manhattan in New York City, New York, United States. Built from 1894 to 1898, the building was constructed for the New York Life Insurance Company.
New York City Ballet offers tickets for $30 to select performances for patrons ages 13 to 30 at the box office, or online or by phone with an account; sales for each performance week (Tue. evening through Sun. matinee) begin at 10:00 a.m. on the Monday of that week.
"The Nutcracker" at the New York City Ballet is a holiday classic that draws thousands to Lincoln Center each year.. The company has been performing George Balanchine's ballet every year since ...
The New York City Symphony stopped performing at City Center after that season, [141] mainly due to the theater's poor acoustics. [142] George Balanchine and Lincoln Kirstein's Ballet Society became a resident organization of the CCMD in 1948 and was accordingly renamed the New York City Ballet Company. [143]
Ashley retired from the New York City Ballet in 1997, shortly before she turned 47, after 30 years of dancing. [5] She was the longest-serving dancer at New York City Ballet at the time. [ 4 ] She remained in the company as a teaching associate until 2008, then went freelance to coach Balanchine ballets in other companies.
More recently, Webre, who is now the artistic director of Hong Kong Ballet, created a "Romeo and Juliet" set in 1960s Hong Kong, complete with the city's street life embedded into its set design.
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.