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The chonmage (丁髷) is a type of traditional Japanese topknot haircut worn by men. It is most commonly associated with the Edo period (1603–1868) and samurai, and in recent times with sumo wrestlers. It was originally a method of using hair to hold a samurai kabuto helmet steady atop the head in battle, and became a status symbol among ...
The cosplayer in yellow has a punch perm. A punch perm (パンチパーマ, panchi pāma) is a type of tightly permed male hairstyle in Japan. From the 1970s until the mid-1990s, it was popular among yakuza, chinpira (low-level criminals), bōsōzoku (motorcycle gang members), truck drivers, construction workers, and enka singers.
Gackt, a Japanese singer-songwriter, is considered to be one of the living manifestations of the Bishōnen phenomenon. [1] [2]Bishōnen (美少年, IPA: [bʲiɕo̞ꜜːnẽ̞ɴ] ⓘ; also transliterated bishounen) is a Japanese term literally meaning "beautiful youth (boy)" and describes an aesthetic that can be found in disparate areas in East Asia: a young man of androgynous beauty.
The hime cut is high maintenance for those without naturally straight hair, and requires frequent touch-ups on the sidelocks and front bangs in order to maintain its shape. Hair straightening is sometimes used to achieve the hairstyle's straight appearance, as well as straightening irons and specially formulated shampoos for straight hair ...
New Year – At this time of year all maiko and geisha wear un-husked ears of rice in their hairstyles (maiko wear it on the right while geisha wear it on the left). These kanzashi also feature eyeless white doves. The maiko and geisha fill in one eye and ask somebody they like to draw the other for good luck in the coming year.
Wakashū properly referred to a boy between the ages at which his head was partially shaven (maegami) (about 7–17 years of age), at which point a boy exited early childhood and could begin formal education, apprenticeship, or employment outside the home, and the genpuku coming of age ceremony (mid-teens through early 20s), which marked the transition to adulthood.
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Ōtani Oniji III in the Role of the Servant Edobei, nishiki-e colour print, 1794. Tōshūsai Sharaku (Japanese: 東洲斎 写楽; active 1794–1795) was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors.