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English Renaissance theatre may be said to encompass Elizabethan theatre from 1562 to 1603, Jacobean theatre from 1603 to 1625, and Caroline theatre from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period.
With William Shakespeare at his peak, as well as Christopher Marlowe and many other playwrights, actors and theatres constantly busy, the high culture of the Elizabethan Renaissance was best expressed in its theatre. Historical topics were especially popular, not to mention the usual comedies and tragedies.
The most popular Elizabethan composer for the lute and of lute songs was John Dowland. Several families of instruments were popular among the English people and were employed for the group music making. If all of the instruments in an ensemble were of the same family they were considered to be in "consort". Mixed ensembles were said to be in ...
A popular style of theatre during Jacobean times was the revenge play, which had been popularised earlier in the Elizabethan era by Thomas Kyd (1558–94), and then subsequently developed by John Webster (1578–1632) in the 17th century.
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...
The explosion of popular drama that began when James Burbage built the first fixed and permanent venue for drama, The Theatre, in 1576 was the one great step away from the medieval organizational model and toward the commercial theatre; but that evolution was, at best, a "work in progress" throughout the English Renaissance. Throughout this ...
The two theatres pooled their profits together between the proprietors, using the Curtain Theatre to ease people into the more complex performances at The Theatre. As time went on, the shows in these playhouses became better organized, more popular, resourceful, and sophisticated in production. More playhouses such as The Rose and The Swan were ...
The boy player has been a popular subject in literary, theatrical and cinematic representations of the Elizabethan theatre. The film Shakespeare in Love features a boy player (played by Daniel Brocklebank) who performs Juliet in Romeo and Juliet before being ousted by Gwyneth Paltrow's character (who is disguised as a man).