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The Doors: Original Soundtrack Recording is the soundtrack to Oliver Stone's 1991 film The Doors. It contains several studio recordings by the Doors , as well as the Velvet Underground 's " Heroin " and the introduction to Carl Orff 's Carmina Burana .
The Doors were ranked number 20 by top music artists while Rock on the Net readers ranked them number 15. [ 174 ] In 2000, the Doors were ranked number 32 on VH1's 100 Greatest Hard Rock Artists, [ 175 ] and "Light My Fire" was ranked number seven on VH1's Greatest Rock Songs.
Sal Cinquemani of Slant Magazine declared "Soul Kitchen" as a "classic Doors song". [9] According to rock critic Greil Marcus, "Soul Kitchen" is the Doors' version of "Gloria" by Van Morrison, a song the Doors often covered in their early days. Marcus writes, "It was a staircase—not, as with 'Gloria' in imagery, but in the cadence the two ...
Essential Rarities is a compilation album by the Doors, originally released as part of the boxed set The Complete Studio Recordings in 1999, but reissued in 2000 as a single CD, containing studio cuts, live cuts and demos taken from the 1997 The Doors: Box Set. [1] [2]
It should only contain pages that are The Doors songs or lists of The Doors songs, as well as subcategories containing those things (themselves set categories). Topics about The Doors songs in general should be placed in relevant topic categories .
"Break On Through (To the Other Side)" is a song by the American rock band the Doors. It is the opening track of their debut album, The Doors (1967). Elektra Records issued the song as the group's first single, which reached number 126 [3] in the United States. Despite the single's failure to impact the record sales charts, the song became a ...
The Future Starts Here: The Essential Doors Hits is a compilation album by the rock band the Doors. It was released in the U.S. in 2008 to commemorate the band's 40th anniversary and contains new stereo audio mixes of the songs.
"Strange Days" is a song by the Doors, released in 1967 as the opening track on the album of the same name. Along with other album tracks, it was composed long before the date it was recorded; a live performance recorded in May 1966 was captured on the 2016 album London Fog 1966. [2]