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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Lục bát (Vietnamese: [lʊwk͡p̚˧˨ʔ ʔɓaːt̚˧˦], chữ Hán: 六八) is a traditional Vietnamese verse form – historically first recorded in Chữ Nôm script. "Lục bát" is Sino-Vietnamese for "six-eight", referring to the alternating lines of six and eight syllables. It will always begin with a six-syllable line and end with an ...
[13] [7] [14] He is 15th generation Nguyễn Đình; the poet Nguyễn Đình Chiểu, author of Lục Vân Tiên, was his ancestor. [15] His father, Nguyễn Đình Phúc, from Thành Trung village in Thừa Thiên, Huế, was an official with the French administration. [15] His mother, Trần Thị Dĩ, was a homemaker [7] from Gio Linh ...
𠓀 Trước 炳 đèn 䀡 xem 傳 truyện 西 Tây 銘 Minh 𠓀 炳 䀡 傳 西 銘 Trước đèn xem truyện Tây Minh 2) 唫 Gẫm 唭 cười 𠄩 hai 𡨸 chữ 人 nhân 情 tình 𢰳 éo 囄 le 唫 唭 𠄩 𡨸 人 情 𢰳 囄 Gẫm cười hai chữ nhân tình éo le 3) 𪠠 Hỡi 埃 ai 𠳺 lẳng 𣵰 lặng 𦓡 mà 𦖑 nghe 𪠠 埃 𠳺 𣵰 𦓡 𦖑 Hỡi ai lẳng ...
Đường luật (chữ Hán: 唐律) is the Vietnamese adaptation of Chinese Tang poetry. [1] Đường also means Tang dynasty, but in Vietnam the original Chinese Tang poems are distinguished from Vietnam's own native thơ Đường luật as China's "Thơ Đường" (書唐, "Tang poetry") or "Đường thi" (唐詩, "Tang verse").
Huỳnh Phú Sổ (Vietnamese: [hʷɨ̀n fǔ ʂô]; 15 January 1920 – 16 April 1947), popularly known as Đức Thầy (lit. "Virtuous Master") or Đức Huỳnh Giáo Chủ (lit. Virtuous [Sect] Founder (ie. Patriach) Huynh), was the founder of the Hòa Hảo religious tradition.
The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
Among his students were Phùng Khắc Khoan (diplomat), Lương Hữu Khánh, Nguyễn Dữ (author of Truyền kỳ mạn lục). Khiêm became a person much sought after by many leaders during that time of upheaval, civil war, the Mạc collapse, and the rise of the Trịnh lords and Nguyễn lords .