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Victorian dress reform was an objective of the Victorian dress reform movement (also known as the rational dress movement) of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time. Dress reformists were largely middle-class ...
Bloomers, also called the bloomer, the Turkish dress, the American dress, or simply reform dress, are divided women's garments for the lower body. They were developed in the 19th century as a healthful and comfortable alternative to the heavy, constricting dresses worn by American women. They take their name from their best-known advocate, the ...
Some credited the change in silhouette to the Victorian dress reform, which consisted of a few movements including the Aesthetic Costume Movement and the Rational Dress Movement in the mid-to-late Victorian Era advocating natural silhouette, lightweight underwear, and rejecting tightlacing. However, these movements did not gain widespread support.
Amelia Jenks Bloomer (May 27, 1818 – December 30, 1894) was an American newspaper editor, women's rights and temperance advocate. Even though she did not create the women's clothing reform style known as bloomers, her name became associated with it because of her early and strong advocacy. In her work with The Lily, she became the first woman ...
The Rational Dress Society was an organisation founded in 1881 in London, part of the movement for Victorian dress reform. It described its purpose thus: The Rational Dress Society protests against the introduction of any fashion in dress that either deforms the figure, impedes the movements of the body, or in any way tends to injure the health.
Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform ...
Flöge was the fourth child of the master turner and manufacturer of Meerschaum pipes, Hermann Flöge (1837–1897). Emilie had two sisters, Pauline and Helene, and a brother, Hermann. [1] Her first job was as a seamstress, but she later became a couturière. In 1894, Pauline, her elder sister, opened a dressmaking school [2] and Emilie worked ...
A Private View at the Royal Academy, 1881 is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait (visible in the archway at the back of the room) by John ...