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Kumkum powder from Mysore, India. Kumkuma is a powder used for social and religious markings in India.It is made from turmeric or any other local materials. The turmeric is dried and powdered with a bit of slaked lime, which turns the rich yellow powder into a red color.
A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape.
The turmeric powder becomes red when mixed with lime juice or lime powder. [5] Unlike red lead and vermilion, these are not poisonous. [ 5 ] [ 6 ] Modern material being sold as sindoor mainly uses vermilion, an orange-red pigment, the purified and powdered form of cinnabar , which is the chief form in which mercury sulfide naturally occurs.
Not all video tape recorders use a cassette to contain the videotape. Early models of consumer video tape recorders , and most professional broadcast analog videotape machines (e.g. 1-inch Type C) use reel to reel tape spools. The history of the videocassette recorder follows the history of videotape recording in general.
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
VHS-C is a downsized version of VHS, using the same recording method and the same tape, but in a smaller cassette. It is possible to play VHS-C tapes in a regular VHS tape recorder by using an adapter. After the introduction of S-VHS, a corresponding compact version, S-VHS-C, was released as well. Video8 is an indirect descendant of Betamax ...
VERA was capable of recording about 15 minutes (e.g. 4,572 meters) of 405-line black-and-white video per reel, and the picture tended to wobble because of some jitter (uneven speed) of the tape transport. Later video recorders used a time base corrector to remove this jitter and make synchronization with the studio house possible.
Type A was developed as mainly an industrial and institutional format, where it saw the most success. It was not widely used for broadcast television, since it did not meet Federal Communications Commission (FCC) specifications for broadcast videotape formats; the only format passing the FCC's muster at the time was the then-industry-standard 2-inch quadruplex.