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Shouts typically lack sheet music and can vary from less than one minute to as long as over an hour and may span many different songs. Usually there is an instrumentalist guiding the structure and flow musically, though standard shout music is often used as a bed for vocal riffing and calling out of exclamatory catch phrases or "shouts" (e.g ...
2005 – This Is the Dirty Dozen Brass Band (Shout! Factory) 2005 – Jazz Moods: Hot (Columbia) 2006 – What's Going On (Shout! Factory) [5] 2012 – Twenty Dozen (Savoy Jazz) 2018 – Live at JazzFest 2018 (Munck Music) 2019 – Live at the 2023 New Orleans Jazz & Heritage Festival 2019 (Munck Music) 2022 – Live in New Orleans (501 Record ...
Soldier's Joy, performed by the North Carolina Hawaiians (1929). Soldier's Joy, performed by the Gunnel Hensmar (1951). "Soldier's Joy" is a fiddle tune, classified as a reel or country dance. [1] It is popular in the American fiddle canon, in which it is touted as "an American classic" [1] but traces its origin to Scottish fiddling traditions. [2]
Joy in My Heart", sometimes titled "I've Got the Joy, Joy, Joy, Joy" or "Joy, Joy Down in My Heart", is a popular Christian song often sung around the campfire and during scouting events. It is often included in Gospel music and a cappella concerts, songbooks, and Christian children's songbooks. [1] The song was written by George William Cooke.
Jane’s Addiction playing Stanhope, New Jersey in 1991. From left, Dave Navarro on electric guitar, a Greek goddess on fruit, Eric Avery on bass guitar, and singer Perry Farrell on mouth.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).