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Arnold Adoff (July 16, 1935, in Bronx, New York – May 7, 2021, in Yellow Springs, Ohio) was an American children's writer. In 1988, the National Council of Teachers of English gave Adoff the Award for Excellence in Poetry for Children. He has said, "I will always try to turn sights and sounds into words.
Clifton's work features in anthologies such as My Black Me: A Beginning Book of Black Poetry (ed. Arnold Adoff), A Poem of Her Own: Voices of American Women Yesterday and Today (ed. Catherine Clinton), Black Stars: African American Women Writers (ed. Brenda Scott Wilkinson), Daughters of Africa (ed. Margaret Busby), and Bedrock: Writers on the ...
In for Winter, Out for Spring is a 1991 picture book by Arnold Adoff and illustrator Jerry Pinkney. It is a collection of 28 poems about a girl, Rebecca, and her experiences with her family over a year.
Arnold Adoff; Mary Hunt Affleck; Lester Afflick; James Agee; Marjorie Agosín; Salvador Agron; Jack Agüeros; Ai (poet) Conrad Aiken; Salman Akhtar; Sandra Alcosser; Dorothy Aldis; Jonathan Aldrich; José S. Alegría; Charles Alexander (poet) Elizabeth Alexander (poet) Kwame Alexander; Lewis Grandison Alexander; Meena Alexander; Will Alexander ...
(ed.) The open boat and other stories by Stephen Crane.New York: Scholastic Book Service, 1968; Poems in Arnold Adoff (ed.) The Poetry of Black America.Harperteen, 1973 (ed.) Out of our lives: a selection of contemporary Black fiction, Washington, D.C., Howard University Press, 1975 - includes work by Amiri Baraka, Ann Petry, Ernest Gaines, Sherley Anne Williams, and Louise Meriwether
Marcus Wicker (born July 9, 1984) [1] is an American poet. He is the author of the full-length poetry-collections Silencer—winner of the Society of Midland Authors Award and Arnold Adoff Award for New Voices—and Maybe the Saddest Thing, selected by D. A. Powell for the National Poetry Series.
Eloise Greenfield (May 17, 1929 – August 5, 2021) was an American children's book and biography author and poet famous for her descriptive, rhythmic style and positive portrayal of the African-American experience. After college, Greenfield began writing poetry and songs in the 1950s while working in a civil service job.
In Can’t Stop the Beat: The Life and Words of a Beat Poet. Los Angeles: Divine Arts, 2011. Antonic, Thomas. "From the Margin of the Margin to the 'Goddess of the Beat Generation': ruth weiss in the Beat Field, or: 'It's Called Marketing, Baby.'" In Out of the Shadows: Beat Women Are Not Beaten Women. Ed. by Frida Forsgren and Michael J. Prince.