Search results
Results From The WOW.Com Content Network
Momin Khan 'Momin' was born in Delhi into a Muslim family of Kashmiri origin. [ 4 ] [ 5 ] His father, Ghulam Nabi Khan, was a Hakeem (physician of traditional/ Unani medicine). Momin Khan received training in the family profession from a young age and himself became a hakim, due to which he is often referred to in contemporary accounts as ...
It is Bhansali's maiden stint in non-film music after his compositions for films. The album consisted of nine songs ranging from various genres such as ghazal, semi-classical and Indian folk music. The lyrics were primarily written by A. M. Turaz, Siddharth–Garima and Kumaar, alongside adaptations of poems from Ghalib and Momin Khan Momin.
Ghazal poets frequently use this story as a simile or reference point to portray their love as similarly obsessive and pure. [40] Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [42]
Mehdi Hassan Khan NI PP TI HI (Urdu: مہدی حسن خاں; 18 July 1927 – 13 June 2012), known as Mehdi Hassan, was a Pakistani ghazal singer and playback singer of great renown. Widely considered one of the greatest and most influential figures in the history of ghazal singing, [ 4 ] [ 5 ] [ 6 ] Hassan is referred to as the Shahenshah-e ...
The ghazal tradition of Urdu poetry was the basis for early Bollywood music, ever since the first Indian talkie film, Alam Ara (1931). In turn, filmi ghazals had roots in earlier Urdu Parsi theatre during the 19th to early 20th centuries. The ghazal was the dominant style of Indian film music since the 1930s up until the 1960s. By the 1980s ...
Abdur Rahman Baba, Robert Sampson, and Momin Khan. The Poetry of Rahman Baba: Poet of the Pukhtuns. Translated by Robert Sampson and Momin Khan. Peshawar: University Book Agency, 2005. Robert Sampson. "The Poetry of Rahman Baba: The Gentle Side of Pushtun Consciousness." Central Asia 52 (2003): 213–228. Robert Sampson and Momin Khan.
Insha Allah Khan 'Insha', Insha (1756–1817) Saadat Yaar Khan Rangin, Rangin (1757–1835) Bahadur Shah, Zafar (1775–1862) Imam Baksh Nasikh, Nasikh (1776–1838) Khwaja Haidar Ali Atish, Atish (1778–1846) Muhammad Ibrahim Khan, Zauq (1789–1854) Mirza Asadullah Khan Ghalib, Ghalib (1797–1869) Chhannu Lal Dilgeer, Ghulam Hussain (1780 ...
For a ghazal, since all the shers in it should be of the same bahr, determining the bahr of one sher (or even one line of the sher) is enough to determine the bahr of the entire ghazal. For example, in this ghazal of Ghalib , the length and meter of the ashaar is same throughout.