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"Diary of a Madman" (Russian: Записки сумасшедшего, Zapiski sumasshedshevo) is a farcical short story by Nikolai Gogol first published in 1835. Along with " The Overcoat " and " The Nose ", "Diary of a Madman" is considered to be one of Gogol's greatest short stories.
Diary of a Madman (Nikolai Gogol), a short story by Nikolai Gogol; Diary of a Madman (Guy de Maupassant), a short story by Guy de Maupassant; Diary of a Madman (Lu Xun), a short story by Lu Xun, also known as A Madman's Diary; Diary of a Lunatic, a short story by Leo Tolstoy sometimes translated as "The Diary of a Madman" Diary of a Madman, a ...
"Diary of a Madman", also translated as "A Madman's Diary" (Chinese: 狂人日記; pinyin: Kuángrén Rìjì) is a short story by the Chinese writer Lu Xun, published in 1918. It was the first and one of the most influential works written in vernacular Chinese in Republican-era China, and would become a cornerstone of the New Culture Movement .
Arabesques (Russian: «Арабески») are collected works written and compiled by Nikolai Gogol, first published in January 1835. [1] The collection consists of two parts, diverse in content, hence its name: ″arabesques,″ a special type of Arabic design where lines wind around each other.
Based on this work, Vladimir Nabokov published a summary account of Gogol's masterpieces. [50] The house in Moscow where Gogol died. The building contains the fireplace where he burned the manuscript of the second part of Dead Souls. Gogol's impact on Russian literature has endured, yet various critics have appreciated his works differently.
Diary of a Madman; The Nose, short story (1835–1836) The Carriage, short story (1836) Rome, fragment (1842) The Overcoat (the variant of translation: “The Overcoat of an official”), short story (1842) Dead Souls, novel (1842), intended as the first part of a trilogy. [2] Petersburg Tales (1843) Nevsky Prospect; The Portrait; Diary of a Madman
Searle had recently written incidental music for a radio production of Gogol's story, starring Paul Scofield, and decided to choose the story for his opera, providing completely new music. [1] The libretto was written by the composer, based on the translation of Gogol's story by D. S. Mirsky. The opera is scored for an orchestra of single ...
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