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Replay (French: La répétition) is a 2001 French-Canadian drama film directed by Catherine Corsini. It was entered into the 2001 Cannes Film Festival. [3] Plot
Arte (/ ɑː r ˈ t eɪ /, French pronunciation:, German: [ˈaʁtə]; Association relative à la télévision européenne (Association relating to European television), sometimes stylised in lowercase or uppercase in its logo) is a European public service channel dedicated to culture.
Saint Laurent (film) The Second Act (film) The Seed of the Sacred Fig; Seneca – On the Creation of Earthquakes; Sex Is Comedy; Someday We'll Tell Each Other Everything; Son of Rambow; Soul Mates (2023 French film) Stars at Noon (2022 film) The Story of My Wife (film) Stranger by the Lake; The Swarm (2020 film)
Some sports organizations allow referees or other officials to consult replay footage before making or revising a decision about an unclear or dubious play; this is variously called video-assisted referee (VAR), video referee, video umpire, instant replay official, television match official, third umpire, or challenge. Other organizations allow ...
Entered into the 20th Moscow International Film Festival: La Bouche de Jean-Pierre: Lucile Hadžihalilović: Denise Aron-Schropfer: Drama: Screened at the 1996 Cannes Film Festival: Clubbed to Death: Yolande Zauberman: Élodie Bouchez: A Couch in New York: Chantal Akerman: Juliette Binoche, William Hurt: Drama: Encore: Pascal Bonitzer: Valeria ...
A Grande Arte (in English, The Great Art; US title: Exposure), is a 1991 Brazilian movie directed by Walter Salles Jr. and starring Peter Coyote. Loosely based on the book A Grande Arte by Brazilian Rubem Fonseca , it is one of the first theatrical works of Salles Jr.
Anouilh had written dialogue for several films in the 1930s, but Traveling Light was his directorial debut. He would eventually direct one additional film, Two Pennies Worth of Violets from 1951. The screenplay for Traveling Light was based on Anouilh's own 1937 play Le Voyageur sans bagage. Filming began on 4 October 1943. [1]
Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors or even amateur actors, and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions.