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The paper is an attack on two central aspects of the logical positivists' philosophy: the first being the analytic–synthetic distinction between analytic truths and synthetic truths, explained by Quine as truths grounded only in meanings and independent of facts, and truths grounded in facts; the other being reductionism, the theory that each ...
The Philosophy Research Index was established as an indexing database containing bibliographic information on philosophical publications in several western languages. It contained listings for a range of philosophical publications, including books, anthologies, scholarly journals, dissertations, and other documents. [ 7 ]
Since the first development of the theory in Russell's 1905 paper "On Denoting", RTD has been hugely influential and well-received within the philosophy of language. However, it has not been without its critics. In particular, the philosophers P. F. Strawson and Keith Donnellan have given notable, well known criticisms of the theory.
Philosophical analysis is any of various techniques, typically used by philosophers in the analytic tradition, in order to "break down" (i.e. analyze) philosophical issues. Arguably the most prominent of these techniques is the analysis of concepts, known as conceptual analysis.
Philosophy and the Mirror of Nature is a 1979 book by the American philosopher Richard Rorty, in which the author attempts to dissolve modern philosophical problems instead of solving them. Rorty does this by presenting them as pseudo-problems that only exist in the language-game of epistemological projects culminating in analytic philosophy .
Bracketing (or epoché) is a preliminary act in the phenomenological analysis, conceived by Husserl as the suspension of the trust in the objectivity of the world. [ 7 ] [ 8 ] It involves setting aside the question of the real existence of a contemplated object, as well as all other questions about the object's physical or objective nature ...
Here, Rorty argues that all language is contingent.This is because "only descriptions of the world can be true or false", [1] and descriptions are made by humans who must also make truth or falsity: truth or falsity is thus not determined by any intrinsic property of the world being described.
Richard Schechner, Essays on Performance Theory, 1976/2004; Arthur Danto, The Transfiguration of the Commonplace: A Philosophy of Art, 1981; Noël Carroll, The Philosophy of Horror, or Paradoxes of the Heart, 1990; Kendall Walton, Mimesis as Make-Believe: On The Foundations of the Representational Arts, 1990
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