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Tim Janis is an American composer [1] with 10 Billboard charting CDs, ... Beautiful America (2003) [5] American Horizons (2005) Christmas Piano Collection (2005)
Tim Janis Ensemble: Producer? Tim Janis chronology; Beautiful America (2003) Across Two Oceans (2004) The Promise ... "Endless and Ever Beautiful and Ugly" – 2:36
It should only contain pages that are Tim Janis albums or lists of Tim Janis albums, as well as subcategories containing those things (themselves set categories). Topics about Tim Janis albums in general should be placed in relevant topic categories .
The first year, they released two albums (Hymns We Remember and Come Along with the Heritage Singers), and performed their first public concert on June 4, 1971. [5] Original accompanists included Bob Silverman on piano and Gerald Allen on bass guitar. After a few months, Jeff Wood would replace Allen and Pete McLeod would join on guitar. [6]
Paul Simpson of AllMusic viewed the album positively, calling it an "incredibly beautiful, immersive listening experience". He felt that the tracks were easy to "get lost in, or maybe succumb to, as it feels like there's no way out", while working "magnificently" as sleeping or relaxing music to calm listeners down. [3]
"2 1/2 Miles Down" — Although this track is mostly incidental, ambient music with droning synth voices and eerie strings, [14] it features the menacing, descending, three-note motif which signifies the wreck of the ship and is first featured when Titanic ' s wreck site comes in view at the beginning of the film, which is also heard in "Hymn ...
And the star rains its fire while the beautiful sing, For the manger of Bethlehem cradles a King! There's a tumult of joy o'er the wonderful birth, For the virgin's sweet Boy is the Lord of the earth. Ay! the star rains its fire while the beautiful sing, For the manger of Bethlehem cradles a King! In the light of that star lie the ages impearled;
Awarding the album four stars at CCM Magazine, Grace Aspinwall states, "the heart of this album lies in its gorgeous arrangements." [1] Lins Honeyman, giving the album a seven out of ten for Cross Rhythms, writes, "a varied release that pushes Christmas music forward whilst acknowledging the genre's glorious past."