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An entablature (/ ɛ n ˈ t æ b l ə tʃ ər /; nativization of Italian intavolatura, from in "in" and tavola "table") [1] is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals.
The so-called "Treasury" or Al-Khazneh, a 1st-century rock-cut tomb in Petra, Jordan, is a famously extreme example, with not merely the pediment, but the whole entablature, very "broken" and retreating into the cliff face. [13] Broken pediments where the gap is extremely wide in this way are often called "half-pediments".
Horizontal taenia pictured as a shadow under the cymatium (to either side of the gutta) in the Roman Doric order at the Theater of Marcellus Detail of the entablature at the Temple of Segesta In classical architecture , a taenia ( Latin : taenia , from Ancient Greek ταινία ( tainía ) 'band, ribbon') is a small " fillet " molding near the ...
The entablature resting on the columns has three parts: a plain architrave divided into two, or more generally three, bands, with a frieze resting on it that may be richly sculptural, and a cornice built up with dentils (like the closely spaced ends of joists), with a corona ("crown") and cyma ("ogee") molding to support the projecting roof.
A formalized lintel, the lowest member of the classical entablature. Also the moulded frame of a door or window (often borrowing the profile of a classical architrave). Area or basement area In Georgian architecture, the small paved yard giving entry, via "area steps", to the basement floor at the front of a terraced house. Arris
In classical architecture, the frieze / f r iː z / is the wide central section of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes.
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Example of numeric vihuela tablature from the book "Orphenica Lyra" by Miguel de Fuenllana (1554). Red numerals (original) mark the vocal part. Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches.