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Kyōgen (狂言, "mad words" or "wild speech") is a form of traditional Japanese comic theater.It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts on the same stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen.
Theatre of Yugen's founder's vision was to expose American audiences to the 600-year-old forms of Noh and Kyogen style theatre. This vision is carried on through today's troupe which still carries a foundation in Japanese Noh drama and Kyogen comedy to create works of world theater by crafting original material and exploring dramatic and ...
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh , a spiritual drama, and its comic accompaniment kyōgen ; kabuki , a dance and music theatrical tradition; bunraku , puppetry; and yose , a spoken drama.
The Ōkura school (大蔵流, -ryū) is, as are the Izumi school and the Sagi school, a school of kyogen, a form of traditional Japanese comic theater.Kyogen of Ōkura school uses an older form of Japanese language than does Izumi.
The Moody Performance Hall (formerly Dallas City Performance Hall [1] [2]) is a performing arts venue located in the Arts District of Downtown Dallas, Texas, USA.Designed by Skidmore, Owings & Merrill LLP (SOM) in collaboration with the Architect of Record, Corgan Associates, Inc., and constructed by the City of Dallas, [3] the performance hall will be built in two phases.
The Kyogen play, 'The Bird-Catcher in Hell', parodies much in the plot of Ukai. [6] Basho described the world of Ukai in his haiku: "How exciting for a while, / The cormorant fishing-boat! / Then depressing". [7]