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He first appeared on 13 October 1958 in the children's book A Bear Called Paddington by British author Michael Bond. He has featured in twenty nine books written by Bond, the last of which, Paddington at St. Paul's, was published posthumously in 2018. [1] [2] The books have been illustrated by Peggy Fortnum, David McKee, R. W. Alley, and other ...
Thomas Michael Bond CBE (13 January 1926 – 27 June 2017) was an English author. He is best known for a series of children's books featuring the character of Paddington Bear.
"John Brown's Body" (Roud 771), originally known as "John Brown's Song", is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an ...
Bob Dylan wrote "John Brown" in October 1962. [1] Around this time, Dylan often drew on traditional songs when writing his own. [2] While the lyrics to "John Brown" are original, the melody is based on "900 Miles", a well-known song in the US folk music community; [a] about half of that tune is also found in the traditional song "Reuben's Train ...
Paddington (Original Motion Picture Soundtrack) is the soundtrack to the 2014 film Paddington directed by Paul King.Released in the United Kingdom on 15 December 2014, and in the United States on 13 January 2015, the album accompanied musical score composed by Nick Urata, with a compilation of original and pre-existing songs heard in the film.
The title refers to the district of Paddington in London. The song gained a place in the canonical Oxford Book of Comic Verse, and the original manuscript of "Polly" is now held in the Bodleian Library. It was adapted for the USA by Clifton during the American Civil War, retitled "Polly Perkins of Abington Green". Presumably the new title ...
The song's lyrics included the line "Mama, don't treat your daughter mean". [3] According to Ruth Brown, the lyrics originated from a black church spiritual. Brown initially disliked the song but was persuaded by Lance and Wallace to record it in December 1952, after Abramson increased the tempo .
Chilton adds that these songs "became the core repertoire of jazz musicians" during the period that "stretched roughly from 1920 to 1960". [2] Although several collections of music have been published under the "Great American Songbook" title, the term does not refer to any actual book or specific list of songs.