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It is told from the perspective of both Winnie-the-Pooh and Christopher Robin, and serves as an allegory for loss of innocence and nostalgia for childhood. Loggins was a 17-year-old senior in high school when he wrote the song. [1] Originally Disney wouldn't allow Loggins to
Guest appearances are made by David Crosby and Graham Nash on "All the Pretty Little Ponies", Patti Austin on the "Neverland Medley" and Amy Grant and Gary Chapman on the title track (a rewritten version of "House at Pooh Corner", a song Loggins wrote in high school and had previously recorded with Jim Messina for their 1971 album Sittin' In).
Christopher Robin (Original Motion Picture Soundtrack) is the soundtrack to the 2018 film Christopher Robin directed by Marc Forster.The album consisted of a musical score composed by Geoff Zanelli and Jon Brion, and songs written by Richard M. Sherman of the Sherman brothers duo, who occasionally collaborate for all Disney films.
Winnie the Pooh is the soundtrack album to the 2011 film of the same name, based on the eponymous novel created by A. A. Milne and E. H. Shepard, and directed by Stephen J. Anderson and Don Hall, the latter in his feature directorial debut.
Elmo sings about wishing for Carlo Alban to give him a cold treat to cool him down on a hot day. "Sometimes a Cookie", An animated insert song featuring an animated version of Cookie Monster. Composed by Christopher Cerf. "The Song of the Count", sung by Count von Count, written by Jeff Moss and Emily Kingsley.
Among those 15 additional songs on the second part of “Tortured Poets” is a track called “Robin,” a piano ballad in which Swift draws imagery of animals and alludes to adolescence.
Christopher Reeve’s son Will revealed to People magazine ahead of the release of the upcoming documentary “Super/Man: The Christopher Reeve Story” that Robin Williams was the first person ...
Mary Poppins: Original Cast Soundtrack is the soundtrack album of the 1964 film Mary Poppins, with music and lyrics written by songwriters Richard M. Sherman and Robert B. Sherman, and adapted and conducted by Irwin Kostal. [1] The original 1964 album release features seventeen tracks, consisting of sixteen songs and one overture track of film ...