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Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon or otherwise adorned. [1]
Embroidery techniques such as counted-thread embroidery [6] including cross-stitch and some canvas work methods such as Bargello make use of the natural pixels of the weave, lending themselves to geometric designs. [7] [8]
Piqué, or marcella, is a weaving style normally used with cotton yarn which is characterized by raised parallel cords or geometric designs in the fabric. [1] Piqué fabrics vary from semi-sheer dimity to heavy weight waffle cloth. [1] Twilled cotton and corded cotton are close relatives.
Dobby, or dobbie, is a woven fabric produced on the dobby loom, characterised by small geometric patterns and extra texture in the cloth. [1] The warp and weft threads may be the same colour or different. Satin threads are particularly effective in this kind of weave as their texture will highlight the pattern. [2] [failed verification]
The decorative technique used on or while constructing the fabric generally designates its end use. For kimono, designs dyed into the fibres and yarns used for weaving before the fabric's construction, including ikat dyeing, are considered informal, with designs dyed into the fabric after weaving and embroidered designs used for more formal kimono.
The slight sculptural relief, elaborate geometric designs, and technical cohesiveness of the textiles indicate that they were made by highly skilled elders. According to art historian Vanessa Drake Moraga, "That Kuba embroiderers represented textile structures in their compositions underscores both the value of weaving to the culture and the ...