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Still, by modern standards, it was a rather free adaptation of the original. Fortinbras was dropped, and the entire opening scene with the sentinels on the ramparts of the castle was excised. A love scene between Hamlet and Ophelia was added to the first act. Claudius does not send Hamlet to England, so Rosencrantz and Guildenstern do not die.
Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately enters into a state of madness that leads to her drowning.
Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress.
The Gravediggers appear briefly in Shakespeare's tragedy Hamlet, making their only appearance at the beginning of Act V, scene i. They are first encountered as they are digging a grave for the newly deceased Ophelia, discussing whether she deserves a Christian burial after having killed herself. Soon, Hamlet enters and engages in a quick ...
Ophelia is terrified by the ghosts from "five thousand plays" that haunt her father's study, "chattering forth the scenes [that her] poor father wisely had cut out". But she manages to remove the manuscript. The conspirators show Hamlet the five-act tragedy "Gonzago" (without revealing its authorship).
The steampunk band Abney Park recorded a song called "Dear Ophelia" that is sung from the point of Hamlet, writing letters to Ophelia expressing that he does, in fact, love her. [47] The Band recorded a song titled "Ophelia" for the album Northern Lights – Southern Cross, in which some have interpreted Ophelia as a metaphor for race-mixing. [48]
The highlights of Hamlet, however, are not the action scenes, but the soliloquies, wherein Hamlet reveals his motives and thoughts to the audience. Also, unlike Shakespeare's other plays, there is no strong subplot; all plot forks are directly connected to the main vein of Hamlet's struggle to gain revenge.
Polonius's death at the hands of Hamlet causes Claudius to fear for his own life, Ophelia to go mad, and Laertes to seek revenge, which leads to the duel in the final act. Various other versions end with all the dead coming back to life, but that is dependent on the version.