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Lancelot du Lac (French for Lancelot of the Lake), alternatively written as Launcelot and other variants, [a] is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
Following the conquest of their kingdom of Benoic (known as Benwick in English) by King Claudas, the death of her husband, and the taking of the infant Lancelot by the Lady of the Lake, Elaine becomes known as the Queen of Great Sorrows, living as a nun along with her sister Evaine, the widowed wife of King Bors and mother of Sir Lionel and Sir ...
In the version as told by Thomas Malory in Le Morte d'Arthur, based on the later Queste part of the Vulgate Cycle, Lady Elaine's father, King Pelles of the Grail castle Corbenic (Corbenek, Corbin, etc.), knew that Lancelot would have a son with Elaine, and that that child would be Galahad, "the most noblest [sic] knight in the world". [8]
He is the illegitimate son of Sir Lancelot du Lac and Lady Elaine of Corbenic and is renowned for his gallantry and purity as the most perfect of all knights. Emerging quite late in the medieval Arthurian tradition, Sir Galahad first appears in the Lancelot–Grail cycle, and his story is taken up in later works, such as the Post-Vulgate Cycle ...
The Ballad of Sir Dinadan; The Princess, the Crone, and the Dung-Cart Knight; The Lioness and her Knight; The Quest of the Fair Unknown; Squire's Quest; The Legend of the King; The Adventures of Sir Givret the Short; The Adventures of Sir Lancelot the Great; By Molly Cochran and Warren Murphy. The Forever King; The Broken Sword; The Third Magic
Maleagant's abduction of Guinevere depicted in a 14th-century fresco in Siedlęcin Tower. Maleagant (spelled Meliagant or Meliaganz) first appears under that name in Lancelot, the Knight of the Cart by Chrétien de Troyes, where he is said to be the son of King Bagdemagus, ruler of the otherworldly realm of Gorre (the Land of No Return), and brings the abducted Guinevere to his impenetrable ...
The Parting of Sir Lancelot and Queen Guinevere. 1874 photograph by Julia Margaret Cameron published in Alfred Tennyson's Idylls of the King and Other Poems (1875). Modern adaptations of Arthurian legend vary greatly in their depiction of Guinevere, largely because certain aspects of her story must be fleshed out by the modern author.
The Septuagint version of the Old Testament is a translation of the Septuagint by Sir Lancelot Charles Lee Brenton, originally published by Samuel Bagster & Sons, London, in 1844, in English only. From the 1851 edition, the Apocrypha were included, and by about 1870, [1] an edition with parallel Greek text existed; [2] another one appeared in 1884.