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A slipmat is a circular piece of slippery cloth or synthetic materials disk jockeys place on the turntable platter instead of the traditional rubber mat. Unlike the rubber mat which is made to hold the record firmly in sync with the rotating platter, slipmats are designed to slip on the platter, allowing the DJ to manipulate a record on a ...
On the lower board, to which an outer surround is attached, three compliant rubber feet give additional isolation to the turntable's chosen placement. [9] One notable characteristic of the deck is the large C-shaped groove cut into the top plinth to control how vibrations would be transmitted from platter to the tonearm area. [ 12 ]
Most users remove the rubber turntable mat and replace it with a slipmat for mixing. However, without the rubber mat, the platter is prone to resonance at 250 Hz when used near a large club sound system. The drive system designed by Matsushita is direct-drive rather than the more commonly found belt-drive type, a less expensive design. The ...
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The older, larger and heavier turntables needed a 180-degree backward rotation to allow for run up to full speed; some of the newer 1950s models used aluminum platters and cloth-backed rubber mats which required a third of a rotational turn or less to achieve full speed when the song began.
Felt is used extensively in pianos; for example, piano hammers are made of wool felt around a wooden core. The density and springiness of the felt is a major part of what creates a piano's tone. [ 41 ] [ 42 ] As the felt becomes grooved and "packed" with use and age, the tone suffers. [ 43 ]